For the past five days, I've been running around partaking in the events, and performances of Montréal's MUTEK Festival. Highlights have included the satisfying assault of bass from Berlin's Moderat, accompanied by the simple and stunning visuals of PFADFINDEREI; and performances from Japanese noise artist Ryoji Ikeda and Carsten Nicolai, German techno and visual artist Robert Henke, and a phenomenal presentation from Belgian Visual Label, Anti-VJ which entails the life size projection of visuals on the façade of a building.
As I head off on my bicycle to catch PIKNIC Électronique, the daytime edition of MUTEK (imagine a 'mini rave', outdoors in the sun in the centre of a beautiful park), I leave you with my final nugget for the weekend: Karl Lagerfeld observes, Elena Glurdjidze, the senior principal ballerina with the English Ballet as she tries on Chanel's customed-tutu for her performance in the Dying Swan. The tutus vitals? "More than 100 hours of work have gone into making the tutu, many of these at Lemarié, the Chanel studio that is devoted entirely to plumassiers, or feather specialists." (The Guardian)